In this episode Matt’s back! And just in time for a conversation about the most well-received graphic novel of all time: Watchmen. After a quick fiction catch up, we discuss the original Watchmen comic, it’s various spin offs and adaptations (including the upcoming HBO series), and try to figure out why adaptations and additions to the original have had such a hard time capturing what made the original so special. We also recommend some of our favorite recent comics, books, and movies and are briefly visited by 2 of Matt’s daughters 🙂
In this episode we break down the themes behind the 2 films in M. Night Shyamalan’s newly shared universe: Unbreakable & Split. The Unbreaka-verse? The Split-verse? Shyama-Land? Whatever you want to call it, there are some seriously interesting themes in these movies. We take a deep look a what they are and their implications in our lives.
In this special episode, we deep dive into Robert Kirkman’s 15 year run on Invincible. Invincible just wrapped up it’s 144 issue run a few months ago and we talk about its place in the pantheon of other modern epic comics. There are spoilers so be forewarned!
In this podcast we use the works of Rick Remender and others to explore the ins and outs of comic book worldbuilding. Starting with Low and Deadly Class, we move on to the contribution of other creators in the space. Lots of great Recommendations in this one!
What accounts for the rising popularity of the anti-hero in fiction? In this week’s podcast we explore that question and others related to the idea of heroes in stories and in the real world. We discuss Alan Moore and the origins of the trend in comics, as well as recent hero stories like Man of Steel. Plus, our very first Grudge Match between 2 VERY anti-heroes! Continue reading “FYMP Podcast #9 – The Rise of the Anti-hero”
In this podcast we’re diving deep into the differences in storytelling between comics vs. manga. As a topic close to our hearts, you should find this interesting even if you don’t consider yourself a fan of either. If you need a good recommendation or a good starting point for exploring comics and manga, this will provide both. Reach out to us on Facebook to join this conversation!
In this recommendation-heavy podcast, we discuss book series’ ranging from Game of Thrones and The Dark Tower to much more obscure works of fiction with violent themes in an attempt to divine the true nature of violence in books.
We attempt to answer the question: what makes brutality in fiction good, bad, or neutral? In this one, you’re guaranteed to learn about at least several great books you’ve never heard of.
*Can they be called spoilers if the show is already rotten? If so, they’re ahead*
The Walking Dead is a profoundly mediocre show. It’s greatest strength is that it manages to keep otherwise rational people watching it, long after it has proven itself not worth their time. Commenter Nial said it best in his comment on my Public Service Announcement post: “The Walking Dead TV show is like super sizing your combo meal at the drive thru. I know it doesn’t have much substance and it’s not good for me but I can’t help myself. Afterwards I feel unfulfilled and dirty.”
Robert Kirkman, the creator of The Walking Dead comic book and an executive producer on the show, is one of my favorite comic book writers of the decade. The Walking Dead comic along with one of his other monthly serials, Invincible, are two of my favorite comics of all time and consistently the best of my monthly reads.
As the creator of The Walking Dead’s source material, Kirkman is unsurprisingly one of the biggest advocates of the show. It is his brain child after all. Though it saddens me to think it is so, I can’t help but harbor the sincere hope that his constant praise of the show is nothing more than lip service. It wouldn’t do for a show’s creator and executive producer to badmouth the changes made to the story. Changes which have, by the way, effectively neutered one of the best zombie stories ever told. As The Walking Dead comic continues to impress and stick to its awesome guns, I have to believe that deep down Robert Kirkman sheds a tear for each nonsensical detour in the show’s storytelling and bides his time until his next project.
But let’s not nerd out too much and fall into the trap of being blind purists. The show is crappy for many reasons not tied to its deviations from the comic. And don’t get me wrong; The Walking Dead is not even close to being the worst show out there. I could point to almost the entire roster of any other basic cable network and find 95% of the listings to be worse. But that’s not what we do here; leave the lowest hanging fruit to some other site.
The Walking Dead isn’t terrible; it’s just mediocre. And making a show poorly when it has the obvious potential to be amazing is worse than making a flat out crap show to shovel to the cow-public.
Here are some things about The Walking Dead that piss me off:
- The Walking Dead is mired by stiff performances, uninspired writing, and an utter lack of direction. It’s just not building towards anything like a good show should (see Breaking Bad for reference). While some might say “the journey is the destination,” to that I say “only if the journey keeps me engaged.” It doesn’t. At all.
- Pacing (noun/verb) – 1: a rate of activity, progress, growth, performance, etc.; tempo. 2: walking at a steady and consistent speed, esp. back and forth and as an expression of one’s anxiety or annoyance. The show runners confuse definition 1 with definition 2.
- I love good Zombie gore as much as the next man, but just as Michael Bay uses explosions to substitute for plot, The Walking Dead uses zombie gore to distract us from the fact that the story isn’t going anywhere. It doesn’t work.
- The Walking Dead comic book is characterized by dynamic characters who are constantly changing (and more than occasionally dying) as they and the world around them very quickly becomes unrecognizable. The show is characterized by static characters whose greatest change is their miraculously decreasing ability to act. Here are some of the characters and their “developments.”
- Rick: whether praying or talking into a handheld radio, Rick monologues his way through 2 full seasons. He grows some stubble and a pseudo mullet and creases his eyebrows slightly more as episodes pass.
- Carl: changes from uninteresting background character to ruthless and uninteresting background character.
- Lori: dies. I think that counts as character development.
- Andrea: whines her way to an uninteresting and unnecessary death after several seasons of pouting.
- T Dog: this character is black and is named T Dog and someone thought that was a good idea. He also mercifully dies.
- Shane: is thankfully killed off, sparing us a further season of watching him try to act.
- Michonne: is silent and abrasive by turns, but consistently unremarkable. If the most interesting thing about a character is their weapon, that character is a failure.
- I don’t remember any of the other characters in the show…
- The show pulls almost all of its punches. The comic never does.
AMC, the network which produces The Walking Dead, is one of my favorite television networks. From Breaking Bad to the Killing to Mad Men, AMC has been leading the charge for quality dramatic storytelling for the last few years. All of which makes it that much harder to believe that they would take a slam-dunk show concept like The Walking Dead and drag it facedown through gravel for 4 seasons.
Obviously, The Walking Dead wasn’t a misstep for AMC as a network; the show holds the honor of being the most watched TV drama in basic cable history. As anyone’s Facebook feed or water cooler chit chat experiences can confirm, the series is obviously beloved by many an errant soul. From a business standpoint and by any other quantitative metric I can think of, it’s a huge success. If I were anyone else, I might even start to question myself. Maybe the show IS that good; maybe I’m too hung up on the comic to give it the chance it deserves; maybe I can’t recognize the true genius behind the story.
But no, the show really is sub par. By any critical standards it simply doesn’t measure up.
Do yourselves a favor and read the comic instead. See Rick Grimes the way he was meant to be.