FYMP Podcast #25 – Buffy, Vampires, and the Chosen Family: A Conversation with Sami Gardner

In this episode I had the pleasure of speaking with career coach, podcaster, fiction connoisseur, and Buffy superfan Sami Gardner! Our wide-ranging conversation on vampire fiction centers around Buffy the Vampire Slayer, the often underappreciated gem of late 90’s early 2000’s TV. We talk about why the show was so special, and why messages about chosen communities resonate with modern people so much. You can (and should) find more about Sami on her website: samigardner.net

Continue reading “FYMP Podcast #25 – Buffy, Vampires, and the Chosen Family: A Conversation with Sami Gardner”

FYMP Podcast #1 – The Story Begins

In this, the inaugural FYMP’cast, we discuss our reasons for creating it, introduce ourselves and our approach to the world of stories & fiction. We attempt to lay the groundwork for what will be an outlet and delivery system for our massive accumulation of trivia on all things fictitious, as well as our philosophy on the importance of storytelling.

This pilot podcast (with pilot quality audio) has more focus on us than on the fiction we’ll later explore. Continue reading “FYMP Podcast #1 – The Story Begins”

I Want my FYMTV, Pt 2

So I’ve been bashing a lot of shows lately, and I feel like I should switch gears a bit to talk about why I do it. Refocusing on the FYMPlanet mission is probably in order here: the goal is not just to slam mediocre shows or to try to shame people into not watching their favorite guilty pleasure. Far from it. You’ll notice that I personally watch all of the shows that I criticize for their lack of impact. I’m not against the shows I trash here, I simply don’t think they work and I do my best to outline why.

At the end of the day, what I really want is for the mediocre and bad shows that people watch to be a backup option rather than the go-to.  I also want people to be able to recognize the flaws in the shows they watch. That’s not to say this will cause them not to watch it anymore; it won’t. But it will dissipate the shared delusion that popularity and profundity are the same things.

I think that understanding the fundamentals of storytelling and the elements that go into good TV is important.

Not for some arbitrary aesthetic reason, but because the more people recognize mediocrity in all its various forms, the more they will seek out things that are better. In the long run, this may lead to better programming overall as studios realize that the drivel that has been successful in the past is no longer making the cut. We’re not there yet, but TV is definitely producing more worthwhile content than ever before. Is that simply because it’s producing more content period, and that percentage-wise the number of “good” shows is staying the same? I don’t know, but what if all of the mediocre shows could be tweaked so they were BETTER?

Wouldn’t it be great if someone made a show like Dexter with dynamic characters and good acting? What if The Walking Dead featured an engaging storyline and quit treating its characters like cardboard cutouts.

I want to watch THOSE shows. I want to watch shows like AMC’s The Killing which pulls no punches as it draws you in and breaks your heart. Or shows like Buffy the Vampire Slayer that took a campy comedic premise and turned it into something amazing and unexpected.

Years from now, you’ll remember that Dexter was a show about a serial killer killing serial killers and that The Walking Dead was about zombies, but you’ll remember the details of Tony Sopranos dreams. You’ll remember Stringer Bell’s hubris and Omar Little’s code. You’ll remember every step of Walter White’s descent. You’ll remember the minutiae of those characters because they lived for you in a way that the one dimensional Dexter Morgan or Rick Grimes never will.

It can’t be a bad thing to want all of your TV to be that good, can it?

So yeah, I trash mediocre shows from time to time, but only in the service of the idea that there’s better out there and availing yourself of it will not only please your palate but evolve it. If our tastes continue to develop then our media will follow suit. I admit that it would be a dangerous world were all shows good. I doubt I’d get much done. But good or bad, I don’t want to settle for less.

I don’t know about you, but I want my FYMTV.

Don’t Watch: Dexter

(For reviews, recommendations, and more check out the FYMP Podcast!)

Dexter, since its 2006 inception, has been breaking Showtime records and entertaining millions of underdeveloped minds with its anticlimactic progression and willfully stagnant main character.

Let’s explore some of the elements that make this show not worth your time.

First off, the show is plagued by bad acting. Though the worst acting I’ve ever seen on television was displayed by Erik King, who played James Doakes in seasons 1 & 2, since his timely on-screen demise other “actors” like Desmond Harrington (Quinn), Lauren Vélez (LaGuerta), Jennifer Carpenter (Debra Morgan), and pretty much everyone else in the show continue to plumb the depths of non-acting and have established themselves as accomplished hacks in their own right. Watching them stumble through their scenes is hard enough without taking into consideration things like character development, which is entirely absent. It’s like the show’s writers thought character development was something you only had to do BEFORE the show starts. 7 seasons in and no noticeable change in anyone.

Michael C. Hall, who actually has it in him to be a decent actor (though not a consistent one by any means), doesn’t really have the chance to do anything outstanding since any emotion Dexter is “able” to express is painstakingly described in dull monologues rather than displayed.

Which brings me to Dexter himself. From the very first season, which consisted mostly of monologues by Dexter describing how dead he is inside, we are constantly bombarded with instances during which this claim is resoundingly refuted.

Pretty much every quirk Dexter displays (aside from his murders) could be attributed to a mentally competent, non-psychopathic, socially awkward teenage boy. Dexter’s personality defect really boils down to simple immaturity… with a side of homicidal tendencies.

Still, we are meant to buy into Dexter’s dishonest self-description even though almost all evidence stands to the contrary. In fact, the only time that Dexter’s supposed universal apathy really seems apparent is when he’s confronted with the pleas of his victims. Every other circumstance seems to elicit an actual emotion, and more often than not it’s something that a normal human could empathize with. So there goes the myth of Dexter’s detachment and social alienation.

(SPOILERS BELOW)

In light of that, Dexter’s inability to change is inexplicable. If he were a real person, Dexter’s refusal to change despite devastating life changing occurrences would be frustrating and confounding. Fortunately, we don’t need to wrestle with this paradox; it’s wholly attributable to bad writing. Dexter’s wife Rita, who we know he has developed real feelings for, dies; and yet, instead of the show making an interesting and desperately needed paradigm shift where Dexter has to deal with that event and his guilt over it, the next season begins with Dexter back on the job like nothing ever happened. Not because Dexter is dead inside – we know he’s not – but because of the writers’ inability or unwillingness to follow up on a decent plot twist. Way to go guys.

Additionally, as the seasons go by, one of the most interesting parts of the mediocre show, Dexter’s kidnapping/murders of other serial killers, happen less and less frequently, and usually become just another excuse for the main character to monologue and soul search at the viewer’s expense. Dexter’s angsty pseudo-apathy was disingenuous in season one; now, approaching season 8, it’s positively farcical.

The show consistently fails to have an impact one way or the other. After having watched the entire series to date (don’t ask why, just be glad I did so I can tell you why not to), I can only single out a few episodes that I would consider “well done.” The show is a fluff series that avoids true introspection at any cost while still trying to keep the audience engaged and stimulated… not an approach that traditionally yields quality results.

The moral ambiguity inherent to vigilantism, and particularly Dexter’s unique brand of serial murder, is never more than perfunctorily explored. The side stories of the rest of the cast which frequently pop up so that the show can pretend to be multi-faceted are largely uninteresting and underdeveloped. The “Big Bad” foe of Dexter that has come to characterize each season of the show is usually overwrought and underwhelming. The whole thing is a mediocre mess.

So, season 8 is coming in a few weeks, and mercifully it’s the last season. Let’s see how the writers decide to limp their way across the finish line. I’m just glad it’s over; this show has been my Dark Passenger for far too long.

Public Service Announcement

 

These random popular things are mediocre; you should not like them as much as you do.

1. The Big Bang Theory (the show… not the actual theory)
2. Tom Clancy books (yes, all of them)
3. Shameless
4. Taken
5. Sons of Anarchy
6. Dan Brown books (yes, all of them)
7. The Dark Knight Rises
8. Dexter
9. The Walking Dead (TV show)
10. Anything from Mark Millar

Here at FYM Planet, we don’t go after the low hanging fruit. For a list of some truly BAD things, just find anything popular with high schoolers. We stick to maligning the not-that-good, the could-be-better; the …meh.

This list is in no particular order, and it is far from exhaustive, but it’s a good start. If you get really excited about anything listed above…

…don’t.